Framton Nuttel endeavored to say the correct something which should duly Hatter the niece of the moment without
unduly discounting the aunt that was to come. Privately he doubted more than ever whether these formal visits on a succession
of total strangers would do much towards helping the nerve cure which he was supposed to be undergoing
"I know how it will be," his sister had said when he was preparing to migrate to this rural retreat; "you
will bury yourself down there and not speak to a living soul, and your nerves will be worse than ever from moping. I shall
just give you letters of introduction to all the people I know there. Some of them, as far as I can remember, were quite nice." This is where we learn about the characters and the situation that they are all in and what is
going on in thier lives.
Inciting Incident-Framton wondered whether Mrs. Sappleton, the lady to whom
he was presenting one of the letters of introduction came into the nice division.
"Do you know many of the people round here?" asked the niece, when she judged that they had had sufficient silent communion.
"Hardly a soul," said Framton. "My sister was staying here, at the rectory, you know, some four years ago, and she gave
me letters of introduction to some of the people here."
He made the last statement in a tone of distinct regret.
"Then you know practically nothing about my aunt?" pursued the self-possessed young lady.
"Only her name and address," admitted the caller. He was wondering whether Mrs. Sappleton was in the married or widowed
state. An undefinable something about the room seemed to suggest masculine habitation.
Here it introduces the conflict of the story and sets thestory in motion.
Rising Action-"Her great tragedy happened just three years ago,"
said the child; "that would be since your sister's time."
"Her tragedy?" asked Framton; somehow in this restful country spot tragedies seemed out of place.
"You may wonder why we keep that window wide open on an October afternoon," said the niece, indicating a large
French window that opened on to a lawn.
"It is quite warm for the time of the year," said Framton; "but has that window got anything to do with the
tragedy?"
"Out through that window, three years ago to a day, her husband and her two young brothers went off for their
day's shooting. They never came back. In crossing the moor to their favorite snipe-shooting ground they were all three engulfed
in a treacherous piece of bog. It had been that dreadful wet summer, you know, and places that were safe in other years gave
way suddenly without warning. Their bodies were never recovered. That was the dreadful part of it." Here the child's voice
lost its self-possessed note and became falteringly human. "Poor aunt always thinks that they will come back someday, they
and the little brown spaniel that was lost with them, and walk in at that window just as they used to do. That is why the
window is kept open every evening till it is quite dusk. Poor dear aunt, she has often told me how they went out, her husband
with his white waterproof coat over his arm, and Ronnie, her youngest brother, singing 'Bertie, why do you bound?' as he always
did to tease her, because she said it got on her nerves. Do you know, sometimes on still, quiet evenings like this, I almost
get a creepy feeling that they will all walk in through that window--"
She broke off with a little shudder. It was a relief to Framton when the aunt bustled into the room with a
whirl of apologies for being late in making her appearance.
"I hope Vera has been amusing you?" she said.
"She has been very interesting," said Framton.
"I hope you don't mind the open window," said Mrs. Sappleton briskly; "my husband and brothers will be home
directly from shooting, and they always come in this way. They've been out for snipe in the marshes today, so they'll make
a fine mess over my poor carpets. So like you menfolk, isn't it?"
She rattled on cheerfully about the shooting and the scarcity of birds, and the prospects for duck in the
winter. To Framton it was all purely horrible. He made a desperate but only partially successful effort to turn the talk on
to a less ghastly topic, he was conscious that his hostess was giving him only a fragment of her attention, and her eyes were
constantly straying past him to the open window and the lawn beyond. It was certainly an unfortunate coincidence that he should
have paid his visit on this tragic anniversary.
"The doctors agree in ordering me complete rest, an absence of mental excitement, and avoidance of anything
in the nature of violent physical exercise," announced Framton, who labored under the tolerably widespread delusion that total
strangers and chance acquaintances are hungry for the least detail of one's ailments and infirmities, their cause and cure.
"On the matter of diet they are not so much in agreement," he continued.
"No?" said Mrs. Sappleton, in a voice which only replaced a yawn at the last moment. Then she suddenly brightened
into alert attention--but not to what Framton was saying.
"Here they are at last!" she cried. "Just in time for tea, and don't they look as if they were muddy up to
the eyes!" The rising action goes here because this is where the story builds and
becomes more complex until the climax.
Climax-Framton shivered slightly and turned towards
the niece with a look intended to convey sympathetic comprehension. The child was staring out through the open window with
a dazed horror in her eyes. In a chill shock of nameless fear Framton swung round in his seat and looked in the same direction.
In the deepening twilight three figures were walking across the lawn towards the window, they all carried
guns under their arms, and one of them was additionally burdened with a white coat hung over his shoulders. A tired brown
spaniel kept close at their heels. Noiselessly they neared the house, and then a hoarse young voice chanted out of the dusk:
"I said, Bertie, why do you bound?" The climax is here because this is where
the turning point of the story is, and when Frampton decides to run away.
Falling Action-Framton grabbed wildly at his stick and hat; the hall door,
the gravel drive, and the front gate were dimly noted stages in his headlong retreat. A cyclist coming along the road had
to run into the hedge to avoid imminent collision.
"Here we are, my dear," said the bearer of the white mackintosh, coming in through the window, "fairly muddy,
but most of it's dry. Who was that who bolted out as we came up?"
"A most extraordinary man, a Mr. Nuttel," said Mrs. Sappleton; "could only talk about his illnesses, and dashed
off without a word of goodby or apology when you arrived. One would think he had seen a ghost."
"I expect it was the spaniel," said the niece calmly; "he told me he had a horror of dogs. He was once hunted
into a cemetery somewhere on the banks of the Ganges by a pack of pariah dogs, and had to spend the night in a newly dug grave
with the creatures snarling and grinning and foaming just above him. Enough to make anyone lose their nerve."
This is the falling action because Framton decides to leave when he sees the men returning, and gets scared and
runs.
Resolution-Romance at short notice was her speciality. This is the resolution because it makes the last statement and ends the story.